I wish, in my high school years, I had known that there
was an alternative college meant for me.
I lived in Florida, for crying out loud!
Just 400 miles away from the school that was designed for me and no
guidance counselor ever suggested it. If
just one counselor took a moment to suggest the Ringling Brothers and Barnum
& Bailey Clown College to my seventeen year old self, my life would have
taken a drastically different path (probably in a very small car with an
abundance of company).
I missed the opportunity.
I’ve told my girls that if they decide not to attend Georgia Tech, or Julliard,
or to go directly to the Grammy Awards, I will support their decision to head
to Sarasota to learn the science of circus.
Look, I know that the circus is not politically correct
these days. I get it. I don’t care.
Before anyone bothers to shower me with animal arguments, stop. Don’t waste your breath. I’ve heard it, of course, but I’ve also read,
listened to, and absorbed everything I can get my hands on about the circus: the good, the bad and the ugly…the distant
past, the recent past, and the present.
My love has not wavered.
There’s the show, of course. They call it “The Greatest Show On Earth” for
a reason. When 8 motorcycles are whipping
around in a tiny little cage, that is jaw-droppingly great. When a guy somersaults from a spring board
through a small hoop 10 feet in the air, that’s pretty fabulous, too. There’s one “Wow!”, “Holy Cow!” after another
and I love them all. And, of course, a
terrier riding on the back of a pig, leading a goat while the elephants regally
stand watch never fails to make me smile.
But that’s not even it.
Sure, I love the amazing feats.
However, what almost always draws my attention is the show that no one
else is watching. The crew is the
show, as are the performers when they’re NOT performing. The orchestra. The things the ringmaster never mentions.
All those guys in blue coveralls who set the next ring
outside of the spotlight are doing a beautifully choreographed dance. The guy scooping elephant poop into a trash
can does it with speed and finesse. The
clowns are dragging heavy mats across the floor while wearing their giant floppy
shoes. The acrobats who were just
swinging from the trapeze are now ushering a parade. The band director catches every moment and
never misses a beat.
We’ve all heard about circus family lineage. Grandfather
and sons and grandsons walking the tightrope together while cousins rig the
safety gear and daughters fly through the air expecting to be caught. And we’ve certainly heard about society’s outcasts
who run away to join the circus.
I wonder, though. When one runs away and joins the
circus, it’s perceived that they’re dropping out of society. I think the opposite is true. I think they’re dropping into it.
If the circus is a machine, those people are not just the
gears – they’re the TEETH on the gears.
One gear can’t turn without all of those teeth working together. The gears run the machine that everyone sees,
but the teeth make it all happen. THAT
is what I love about it. From my seat in
the audience, I see a big family. I see
familiar relationships. I see myself.
Certainly, my family’s cars could have been confused for clown
cars as a dozen silly people often came spilling out and we could set up a tent
at a moment’s notice. My brother Pat
actually set up a tight rope in our back yard and practiced diving off of the
roof. We arrived with fanfare and often
upset the status quo. But we were not a
circus family. We didn’t ride the rails
from town to town. We didn’t swing from
dangerous heights and we didn’t hang out in cages with lions. But whatever we did, we did it like those
guys in the blue jumpsuits. We were –
and are – a crew. We work swiftly
together and clean up poop when we have to so the show can go on.
We – and the circus – are not conventional society. And we have an abundance of clowns. I think that if I were anyone else, I’d want
to run away and join us.
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